Spite extreme wing megaupload

Edge Of Night 7. No Longer Human 8. Catacrusis 9. Labels: Dark Fortress. Labels: Aaaarrghh. Solitude And Chaos Bonus Cd. Battlehorns The Bastard Son Lake Of Sorrow Stay Away Necroposers The Will To Deny Labels: Nocturno Culto. Friday, May 30, Labels: Black Metal , Keep of Kalessin. This is a band from New York in the early 80's. Need I say more? Labels: The Mob. Spite Extreme Wing - Kosmokrator. Este es su tercer disco y es , en este album se nota la en el intro la segunda parte de la obra carmina burana de Carl Orff, asi que disfrutenla.

Spite Extreme Wing. Labels: Spite Extreme Wing. Bien banda, aqui les dejo el primer EP de esta banda de estados unidos, la neta esta muy bien hecho, asi que escuchenlo!!!!!!!!

Genre s Black Metal Lyrical theme s. Labels: Dagon. V A - Punk En France 2. Labels: Compilations , Punk Rock. Check it out, it's all the good shit you wanna hear with punk chodes that can't play their instruments and writin' killer tunes. Get in the pit and butt fuck your mother.

Labels: Toxic Zombies. One of us here is lucky enough to have found the original CD repress of the classic G. This is a must have for anyone, and unfortunately it's ridiculously out of print and is sold for tons of money. So we present it to you the best we can with the pictures of the CD booklet that was printed on a silver based paper and is one of the coolest damn layout and graphic designs that anyone would appreciate.

Once again presented to you in the highest quality possible, So let the pussyfooting begin Even includes track 9, the 45 minute hidden track with 3 hidden songs spread out on it.

And if you look closely. Watch if you would like Sakevi hand some cunts their assholes on a platter, live: G. Labels: G. Here's a nice collection of some of their work.

The Plague were formed Cleveland, Ohio in ' Labels: Plague. The madness that is Sakevi comes to grips like the endless pussyfooter. This is lethal annihilation. SKV has done it again with his magnificent artwork and vision. This masterpiece is one I have yet to see online.

I would highly recommend for any and all of you to take a look into the true dark side of Japan, through the great imperial master of ceremonies. The rug they fly in on which is called G. Translated to American: total nutbag Japanese Karaoke Monsters that are masters of the triad punk assembly.

On the highest of all the freemasons, 33 is merely where they began. Labels: SKV. In the continuing effort to give you the complete Legal Weapon discography, since it seems to be out of print or impossible to get overseas.

Like many bands in America, things sometimes aren't what they seem. Here is the album, and you can be the judge More Weapon is on the way. Labels: Legal Weapon. Koro were from Knoxville, Tennessee and only existed from Labels: Koro. U-Boats "Street Tough". It's a good LP and representation of the Florida scene, which was renowned for having some of the most violent audiences in American hardcore.

Some bands like the Circle Jerks would literally walk off he stage stating they were not gonna be background music for a bunch of knuckleheads beating up little girls. With that being said, here's a nice piece of vinyl from the U-Boats, I believe they were from the west coast of the Florida scene in Labels: U-Boats. More in a minute. Big Up's to the man. Only reason he was 2 is cuz 3 Doors Down had Walmart on Lock.

Walmart is a tool for Satan. So fuck 'em. Bun B is 1. He out sold them boys in Best Buy and Transworld and all that so fuck 'em in they pussy as Bun might say though I know for a fact he wouldn't say it about them. Boy needs a real deal. It's time for some real representation. Anyway, I digress I've been trying to get Ready Red to come out for a party for a while now, but he was living in the Bay Area. That's right, the man who now and has for some time now lives in the Bronx and does the hottest underground hip hop radio show in NYC is comin' down and comin' thru to rock for you on Monday.

This was in Come down and check my man out. It's been a long time y'all. Also here's these for reference It's an obvious and welcome tonal shift. In order: the "Arcano Incanto" demo, an unnamed recording session from which forms the new material on this disc , the debut '99 demo, and a pair of neoclassical ambient tracks bookending the lot of them.

The ALBUM "Magnificat" is clearly made up of those first two; the original demo is clearly included more as a set of bonus tracks than anything, not being in line with the style or quality, frankly of the first two thirds of the album. This is fine, though; with the "Arcano Incanto" and sessions, Spite Extreme Wing creates a perfectly serviceable and logical full-length which stands head and shoulders above any other output from the Italian metal scene.

Describing Spite Extreme Wing's music is challenging because you constantly have to stop the audience and reframe their point of reference. It would also give you absolutely no understanding of what the band actually sounds like. I could also tell you that there's many points of reference to Taake and early Emperor in the vocals and riffing, and these would also be true but just as equally misleading.

This is because, while Spite Extreme Wing is a "black metal" band in the most fundamental sense of the term, they convey none of the feelings or atmosphere of Scandinavian black metal, or, indeed, any other black metal out there. They stand alone in their particular style of artistry, and the only way to properly describe them is from the ground up. Perhaps I can frame it a little better in this regard: Spite Extreme Wing are a nationalist band.

All over their music and artwork you can find the influence of Italian nationalism, and the band were even a major member of the Black Metal Invitta Armata, a circle of bands linked by a sort of crypto-fascist infatuation with Italian history and Roman lore in particular. Now imagine that these leanings are a top-down element which bleeds into every element of the music, and you might begin to grasp how the band sounds.

Spite Extreme Wing's emotional point of reference isn't grimness, hatred, or terror; it's pride, vigor, aggression, and a peculiarly Italian sense of romanticism that simply doesn't sound like anything else in metal today. Spite Extreme Wing's music overflows with the sort of lively and passionate melody that's easily tied to Italian artists throughout history, be they composers, painters, or any other inventors of the beautiful and fantastic.

It's a feeling and mood wholly singular to this band, and crucial in appreciating their sound. The most immediate thing: Spite Extreme Wing are fast. Above and beyond simply playing at a high tempo, there's an inherent sense of breathless, incredible SPEED to the faster parts of their music.

The opening moments of "Acqua Di Fonte Di Gloria" replicate the initial dive of a rollercoaster better than any music I've ever heard. And it's not ambient, easy speed, either; Spite Extreme Wing want you to feel the acceleration and intensity of every note. When the band blasts, you hear every single strike of a snare or a ride cymbal or a kick drum, partly owing to the wonderful, rich production job, and partly to the sheer aggression with which the drummer plays.

The rest of the musicians follow suit: the guitars don't sound picked so much as frantically ripped, with plectrum in a perpetually blurring state of kinesis whenever the band sees fit to kick things up a bit- which they do quite often. The second most immediate thing: Spite Extreme Wing are melodic. Every track on "Magnificat" is absolutely dripping with melody, ranging from the almost impossibly simple five-note tremolo riffs that form a surprisingly large amount of the music to more complex acoustic arrangements or riff interchanges.

In conjunction with the sheer speed mentioned earlier, this makes for music which sounds breathtakingly impassioned; other bands might be faster or more melodic, but none of them FEEL as impossibly intense as what Spite Extreme Wing does. The riffing style that Spite Extreme Wing employs is difficult to describe; it's part Taake, part Emperor, part At the Gates, but ultimately very similar to none of them, as the band's melodic style is so singular and unique it defies comparison.

The fastest moments are keening and alternately triumphant or sorrowful bursts of frenzied, shocking emotion, but the slower moments are more restrained and contemplative; slow, sliding chords and fascinating textural shapes add a welcome dimension of subtlety and variation to what at first glance might seem rather one-dimensional and straightforward music. Another immediate thing: the technical performances on this record are astounding in the same way that the technical performances on a Godflesh record are stunning.

Are they incredibly technical or pushing the boundaries of extremity in some what? No; but the technical performances themselves become a part of the music. The very audible bass and its creaking, worn tone is played patiently but in sync with the guitars to provide a wonderfully rich counterpoint to the melodies above.

Even the drumming is remarkable: fast and tight without being clinical, you'd be amazed, if you listen closely, just how many moments the drummer finds time to inject some wonderful, chiming cymbals or gently accented strikes which add whole new rhythmic dimensions to the music. The vocals They scream, shriek, and occasionally grumble in an exceedingly powerful manner throughout the duration of the record, and nothing more could be asked of them.

What makes this endure so well, though? I think it's the magnificent structural elegance to the songs which lets you listen to them time and time again without a hint of boredom. The two suites that make up the recording session are the most obvious instances, with the two-part "Lotusbluthen" set a particularly impressive exercise in arrangement, but even the more straightforward tracks are astounding, using structure to create a feeling in the listener above and beyond the "mere" music within.

The way streams of fiery, spearheading blasting intersect with measured, ornate, grandiose midpaced passages and again with patient, contemplative acoustic work tells a story of its own without needing to resort to cheesy narrative tactics. It's an album that simply works, made by people with such an inherent grasp of sound and art that I doubt this album would have been the same if made at any other point in time. I can't speak Italian.

However, I still feel like I understand every word of this.